Tamara de Lempicka Girl Sleeping painting

Tamara de Lempicka Girl Sleeping paintingTamara de Lempicka Femme a la Colombe paintingTamara de Lempicka Dormeuse painting
Ethan had been a visitor lacking a personal gate-entry code, he would have pushed the intercom button on the post and would have announced himself to the guard in the security office at the back of the property. If the visitor was expected or was a family friend on the permanent-access list, the guard would open the gate from his command board.As he waited for the massive bronze barrier to roll out of the way, Ethan was under surveillance by the camera on the security post. Entering the property, he would be scrutinized through a repairman or deliveryman arriving in an enclosed van or truck, Ethan would have been asked to wait outside the gate until a security guard arrived. The guard would then look inside the vehicle to ensure that the driver was not, under duress, bringing any bad guys with him.Palazzo Rospo was not a fortress either by modern definition or by the moat-and-drawbridge series of tree-mounted cameras angled in such a manner as to reveal anyone who might be lying on the floor of the SUV to avoid detection.All videocams included night-vision technology that transformed the faintest moonlight into a revealing glow. A sophisticated bit of s filtered out most of the veiling and the distortion effects produced by falling rain, ensuring a clear real-time image on the security-office screens.Had he been a