Sunday, 2 November 2008

Camille Pissarro Haymakers Resting painting

Camille Pissarro Haymakers Resting paintingCamille Pissarro Bather in the Woods paintingWilliam Etty The Duet painting
bastard mountain, a human being, not a breathing machine. Pemba said, Allie Bibi, don't do, but I just started up. In a while we passed the others coming down and I could see the wonderful thing in their eyes. They were so high, possessed of such an exaltation, that they didn't even notice I wasn't wearing the oxygen equipment. Be careful, they shouted over to us, Look out for the angels. Pemba had fallen into a good breathing pattern and I fell into step with it, breathing in with his in, out with his out. I could feel something lifting off the top of my head and I was grinning, just grinning from ear to ear, and when Pemba looked my way I could see he was doing the same. It looked like a grimace, like pain, but it was just foolish joy." She was a woman who had been brought to transcendence, to the miracles of the soul, by the hard physical labour of hauling herself up an icebound height of rock. "At that moment," she told the girls, who were climbing beside her every step of the way, "I believed it all: that the universe has a sound, that you can lift a veil and see the face of God, everything. I saw the Himalayas stretching below me and that was God's face, too. Pemba must have seen something in my expression

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