Edmund Blair Leighton The Accolade painting

Edmund Blair Leighton The Accolade paintingEdmund Blair Leighton The End of The Song paintingFrank Dicksee Romeo and Juliet painting
had ever drawn, that he had drawn as if in his own right, feeling, I don’t care what anybody thinks of me, this is myself and this is how I do it. Everything he did, every tone his voice took, was controlled by his idea of what would make the best impression on others. He was worse a slave to that, to his dread for other people’s opinion of him, than any nigger had ever been a slave. And his meanness and recklessness when he was drunk enough, he knew that was no good, no good at all. It wasn’t even real. It was just the way he wished he was, and it wasn’t even that, for what he wished was not to be reckless, but brave, a very different thing, and not to be mean but proud, a different thing too. And what was the worst of it? Why, the worst of it was, that once in a great while he could see himself for what he really was, and almost believe that now that he saw himself so clearly, he could change, all it took was clearness of head, and patience, and courage; and at the same time he had to know that nothing that was in him to do about it could ever be done; that he would